As you can see, it is important that the NLE system be designed with optimal components and is not “overspec’ed.”
正如你所看到的,非线性编辑系统保持原始结构不做转换是非常重要的。
Of course, without considering costs, the ideal system may center around a high-speed PC and be one that can process huge quantities of data. But in reality, return on investment (ROI) is a very important aspect of an editing solution; one that must be considered. You should think about the system in its entirety, ensuring
the optimum specifications are achieved for the right ROI.
当然,不考虑成本,理想的系统应该是围绕着一个能处理大数据量的高性能PC,但事实上投资回报率是非编方案一个非常重要的因素,也是必需要考虑的因素。你应该考虑到系统各个方面的因素,确保最合适的性能换取最佳的投资回报率。
When considering the system as a whole, compression technology becomes a critical feature. Compression that can reduce the quantity of data without any degradation is ideal and is the only way to achieve the balance between quality and data size. Canopus compression codecs achieve this balance.
当考虑整套系统时,压缩技术就成为了很重要的指标了,压缩如果能在不降低质量的情况下减少数据量是最理想的,达到质量和数据量之间的平衡是唯一的方法。Canopus压缩编码就达到了这种平衡。
1.
Standards based on workflow
1. 基于工作流程的标准
How can “optimal design norms” be determined for an editing system? Canopus came up with the answer by examining the total workflow in video production: from shooting to editing to delivery. Here is what we found…
最理想的设计规范能怎样决定一套非线性编辑系统?Canopus在视频产品全部工作流程测试过程中提出了这样的问题:从采集到编辑到输出,这里我们发现了什么……
With the performance (image quality) of VTRs as the norm, input/output of images with higher quality is possible and can be edited with minimal degradation.
把录像机的性能(图像质量)做为标准,输入/输出的图像可能是高品质的也会在编辑时有少许损失。
Norms based on VTRs
录像机基础规范
There is hardly ever a time when a camera or a VTR is not used in the workflow of post-production or broadcasting including coverage, editing, and distribution. When video and broadcast professionals choose editing machines and transmission devices, they look for products that meet the image or product quality levels of the VTRs or cameras they are using. In other words, in a workflow using VTRs and cameras, the image quality level is based on the image quality level of the VTR or the camera used, and that level can be assured so long as the performance levels of the peripherals are equal to or higher than those of the VTR or the camera. Even the quality of computer graphics depends on VTR image quality, when they are recorded on tapes for distribution. The capabilities of the editing machine are also important—it must be able to perform without degrading VTR performance and image quality.
当在电影电视后期制作阶段或者包括报道、编辑和发行的工作流程中很少有用不到摄像机或录像机的,当视频和广播专业人员选择编辑设备和传输设备时,他们会寻找和自己使用的摄像机或录像机画面或产品质量等级相当的产品。换句话说,在使用录像机和摄像机的工作流程当中,画面质量标准是基于的录像机和摄像机上用到的画面质量的。这个标准只要等同于或者高于录像机或摄像机的标准,就可以被确定。当他们被从磁带上录制时,计算机显卡回显的画质依赖于摄像机画质。编辑设备的能力也很重要――它必须能够完成不低于录像机的性能和画质的任务。
Design based on usage
用法的设计基础
There are times when the best image quality available is required, for example in compositing. Canopus systems have been designed for efficient editing of images shot using video cameras, and therefore do not cover composite editing. In composite editing, multiple tracks must be processed simultaneously, so the highest quality images must be processed at high-speed on multi-tracks. In some competitors’ systems, high image quality editing has been adopted, but it can only process 2 streams + 1 track in real time. For multiple tracks exceeding this limit,
rendering must occur. In that case, it is more efficient both functionally and cost-wise to use dedicated compositing software. The bottom line is that purchasing an over-spec’ed editing system without true consideration for its actual use is likely to mean reduced efficiency and lower ROI.
有些时候必须用到最佳的画质,例如在合成过程中。Canopus系统原意是高效率的编辑用视频摄像机采集的画面,因此不包括合成编辑。在合成编辑过程中,多条轨道需要同时处理,所以高质量图像必须在多条轨道上高速处理。一些竞争对手的系统中,采用了高质量的图像编辑,但是仅仅能实时制作2层视频+1层字幕,超出这个限制的多轨道必须进行渲染。如果这样,用专业的合成软件无论在功能和价格上都是更有效的。如果底线是不考虑实际用途而购买一套过于强大的编辑系统就意味着低效率和更低的投资回报率了。
2.
Accuracy for preserving the beauty of original images
2. 精确度为了保持原始画面的完美
There are times when the Canopus codec, with its 8-bit, 1440 resolution, is said to be insufficient when compared to the standard 10-bit, 1920 resolution. The current specification has been chosen based on careful studies of sufficient balance without becoming over-spec’d.
有时当Canopus编码采用8bit,1440采样时,有人说比不上10bit,1920采样。当前的标准是建立在充分平衡、仔细的研究后不超出规范的基础上选择。
Quantifying bit numbers
比特量化方式
Canopus considered quantifying bit numbers for the following VTRs:
MPEG IMX, BetacamSX, DVCAM, DVCPRO50, D-1, D-2, D-3, D-6, DVCPRO HD, HDCAM (8-bit when compressed)
Canopus认为比特量化应遵循以下录像机方式:
MPEG IMX, BetacamSX, DVCAM, DVCPRO50, D-1, D-2, D-3, D-6, DVCPRO HD, HDCAM (均采用8-bit量化方式)
These VTRs are widely used in broadcast environments. This means that even the broadcasters agree that 8-bit is enough for high quality performance. Thus, increasing quantifying bit numbers to 10-bit for improving quality in images used during the editing process can be considered over-spec’ing in a workflow assuming the usage of VTRs.
这些录像机是被广电行业广泛的采用的,这意味着即使广电的用户也接受8bit量化方式足以满足高质量特性。因此,在编辑处理期间增加到10bit量化来提升图像质量对于工作流程中采用录像机用户是超出规范的。
Increasing data amounts from 8-bit to 10-bit means making increases by 20%. That leads to requirements for increased storage capacity and higher data transmission speed.
从8bit到10bit增加的数据流相当于增加的20%,这导致增加存储容量和高速数据传输需求的增加。
Another reason 8-bit is appropriate for high speed processing is that computer technology tends to be based on multiples of eight. Processing 10-bit data requires 16-bit buses and registers, which ends up requiring double the standard 8-bit load.
Video effects processing is designed for the final results to have 8-bit accuracy. For example, chroma keying requiring advanced interpolation, 32-bit accuracy may be needed for international calculations. Computing with unnecessary accuracy requires large amounts of memory and slows down the process. Therefore, eliminating waste by careful consideration of the algorithm implementation with sufficient accuracy is important.
另一个原因是8bit适合计算机中的8进制管理技术进行高速处理,10bit数据需要16进制的管理,结果就是需要双倍于8bit的导入,视频效果处理原理是保证8bit精确度的最终结果,举个例子,色键需要高级处理,内部可能需要32位的精确度的计算,计算机需要在内存和低速下载区进行大量不必要的数据处理,因此通过仔细的考虑执行充分保证精确度的算法对于排除损耗非常重要。
Canopus systems guarantee accuracy at each level of effect processing due to careful planning and design.
Canopus系统在精心设计下保证了每一次效果处理的精确性。
Pixels and sampling methods
像素取样方式
[attach]20203[/attach]
The Canopus codec exceeds that of the two popular VTR systems and can edit by oversampling. Some internal computations, for example composites, are executed in 4:4:4 sampling, minimizing degradation during processing.
Canopus编码器超过了对编系统可以做到超出取样范围编辑。许多类似于合成这样的内部的运算按照4:4:4方式取样,在处理期间把损失降到最小。
YCbCr as the standard format
YCbCr被当做标准格式
RGB is widely used as the norm in PCs, but YCbCr is the norm used in video equipment. Many editing systems include software to convert to RGB for easier processing on PCs. In such systems, color-related problems, such as images over 100IRE being blown-out or discoloration of rendered parts, frequently occur.
Images shot with cameras include elements over 100IRE, therefore being able to process them correctly is crucial.
RGB是在计算机领域中被广泛用到的标准,但是YCbCr是视频设备中的标准。许多包括软件在内的编辑系统为了方便在计算机部分的处理采取转换成RGB的方式,在这些系统中,类似图像放大超过100IRE或者渲染部分变色等颜色失真的现象经常出现。
So Canopus editing systems simply use YCbCr to avoid unnecessary problems.
所以Canopus编辑系统完全采用YCbCr方式来避免不必要的问题、
32-bit audio processing
EDIUS Pro processes floating 32-bit audio, matching audio-dedicated software. SDI can I/O a maximum of 24-bit of quantifying bit numbers, therefore floating 32-bit, which will cover this specification, has been chosen.
32-bit音频处理
EDIUS Pro处理可变32bit音频用于专业的音频软件,SDI可以做最大24bit量化的输入/输出,因为可变的32bit包括这些参数所以被选择。
1.
Reasons for adopting a compression codec
3. 采用压缩编码器的原因
First, we wish to make it clear that Canopus products can process uncompressed data and full HD with alpha channel (1920x1080i). However, there are reasons for Canopus emphasizing its compression codec over processing uncompressed data.
首先,我们希望使用Canopus产品可以清晰的处理无压缩数据和带有Alpha通道(1920*1080)的HD格式。然而,这也是Canopus强调它的压缩编码器胜过无压缩数据处理的原因。
Why compress?
为什么压缩?
When you calculate the amount of data for uncompressed HD images, even with larger hard disk capacities and faster transmission, it still is too much to handle realistically.
当你使用高清无压缩图像的全部数据时,就需要大容量的磁盘空间和快速的传输。对于实际操作还是相当多的。
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Directly related to costs
直接关系到成本
In uncompressed HD editing systems, over half of the total system cost goes to storage. Not only is large capacity needed for storing enormous amounts of uncompressed HD data, but also products with the best performance and interfaces to meet the very high requirements for transmission speed in real time must be included. In most cases, these costs by far exceed that of the editing machine itself.
The high-speed, high-quality Canopus codec contributes to a significant reduction in total costs, while preserving quality.
在无压缩高清编辑系统中,超过半数的成本被用到了存储方面,处理如此庞大的无压缩高清数据不仅仅需要大容量的空间,还需要高性能的传输满足实时编辑的高速传输需求。这些成本远高于编辑设备自身,高速高质量的Canopus编码器在保证质量的同时提供了非常有效的降低成本的帮助。
Directly related to performance
直接关系到性能
In HD video editing on PCs, enormous amounts of data are transported between the HDD to I/O, CPU, and memory.
在计算机上编辑高清视频,庞大的数据流在硬盘到I/O接口、CPU和内存之间传输。
For uncompressed HD video, huge amounts of data are transmitted on every bus, especially between the HDD and I/O, which becomes a bottleneck. Using compression, CPU power is used for compressing and expanding.
无压缩的高清视频,庞大的视频数据在每一个总线上传输,尤其是在硬盘和I/O接口之间形成了瓶颈,使用压缩技术,CPU的能力可以被用于压缩和扩展。
However these tasks are handled on the high-speed bus between the CPU and memory. Therefore, the amount of data being transmitted on the low speed bus between the HDD and I/O is 1/7th compared to uncompressed data.
不管怎样这些任务都需要控制在CPU和内存之间的高速总线中,因此,全部的数据在硬盘和I/O接口的低速总线之间采用1/7的压缩数据。
This, as you might surmise, has great effects on the system as a whole.
正如你猜测的,整套系统中可以顺利的完成编辑。
In the future, when an editing system is configured on the network, data compression will be a must. Even with the fastest fibre channel server system available today, it is very difficult to play back three uncompressed HD streams
on five editing machines constantly, in real time.
不久的将来,当一套编辑系统在网络中使用时,必须要经过数据压缩。即便是今天我们看到的最快的光纤通道服务器,在连续实时回放五台设备的无压缩高清数据流时也是非常困难的。
In addition, since Canopus’s editing software (EDIUS) is designed in-house together with our codec, the software is able to fully harness the codec’s capabilities.
另外,自从Canopus的编辑软件EDIUS使用自主开发的编码器后,软件可以充分的利用到编码器的优势。
Excellence of the Canopus HQ codec
优异的Canopus HQ编码器
The Canopus HQ codec provides image-quality stabilization by keeping the average bitrate low, dynamically adjusting compression rates between accurate images and simple images and using variable bitrates, which can be decoded by frames. Additionally, to maintain minimal CPU load for compression and expansion, Canopus’s original technology has been introduced to the mathematical methods of the CPU. While many other HDV editing systems are forced to reduce quality and compress image data to even realize pseudo-real-time processing, EDIUS users
can go on with their editing processes without worrying about decreased image quality.
Canopus HQ编码器通过持续恒定的低码率提供高质量稳定的画质,在高精度和简单的图像之间动态调整压缩码率提供可变压缩码率方式,并可以通过单帧解码。另外,在导入压缩和展开的过程中保持最小限度的使用CPU,Canopus的专利技术引入了CPU的算法,当许多其它HDV编辑系统还在被迫的通过降低质量来压缩图像数据实现虚假的实时处理的时候,EDIUS用户已经能进行编辑处理而不担心降低图像质量了。
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